About The Song
While the pairing of Reba McEntire and Barry Gibb on a recording of “Islands In The Stream” might not be the most widely recognized version of this beloved song, it is indeed a noteworthy rendition that showcases the enduring appeal of the composition and the versatility of both artists. This particular collaboration appeared on Barry Manilow’s 2008 album, The Greatest Songs of the Eighties. While the track is credited to Barry Manilow & Reba McEntire, the foundational element connecting these artists to the song is the songwriting prowess of Barry Gibb, along with his brothers Robin Gibb and Maurice Gibb, collectively known as the Bee Gees.
The original and most famous version of “Islands In The Stream” was performed as a duet by country music legends Kenny Rogers and Dolly Parton, released in 1983. Written by the Gibb brothers, the song was initially intended for Marvin Gaye, showcasing its potential across different genres. However, it ultimately found its perfect home with Rogers and Parton, becoming a massive crossover hit, topping both the pop and country charts and solidifying its place as one of the most cherished duets in music history. The Bee Gees themselves also recorded their own version of the song, further highlighting its universal appeal.
In the context of Barry Manilow’s album, The Greatest Songs of the Eighties, the inclusion of “Islands In The Stream” as a duet with Reba McEntire is an interesting and respectful nod to a defining song of that decade. Manilow, known for his own significant contributions to pop music throughout the seventies and eighties, often pays homage to the music that has shaped popular culture. By featuring Reba McEntire, a powerhouse vocalist and an icon in country music, Manilow brings a fresh interpretation to the well-known tune, creating a bridge between their respective fan bases and musical styles.
Reba McEntire’s involvement brings her signature vocal strength, clarity, and emotional resonance to the song. Known for her ability to convey a wide range of emotions through her singing, McEntire’s performance on this duet adds a layer of heartfelt sincerity. While the original by Rogers and Parton possessed a certain comfortable, conversational quality, McEntire’s delivery, paired with Manilow’s, likely leans into a more polished and vocally driven interpretation, showcasing the strength and control that have made her a beloved figure in music.
The crucial link to this rendition is the songwriting genius of Barry Gibb and his brothers. Their ability to craft melodies and lyrics that are both simple and deeply affecting is evident in “Islands In The Stream“. The song’s central theme of unwavering support and mutual reliance in a relationship is timeless and universal, contributing significantly to its enduring popularity across various interpretations and genres. The Gibb brothers’ songwriting during this era was remarkably successful, and “Islands In The Stream” remains one of their most iconic contributions to popular music.
The 2008 recording by Barry Manilow and Reba McEntire likely features a contemporary arrangement that respects the original’s structure and emotional core while incorporating elements of both artists’ established sounds. Manilow’s background in lush orchestrations and classic pop sensibilities, combined with McEntire’s strong country vocal tradition, would create an interesting sonic tapestry. The production likely focuses on their vocal harmonies and the enduring melody, aiming to evoke the familiar warmth of the original while offering a fresh perspective for listeners in the 2000s.
While the Kenny Rogers and Dolly Parton version of “Islands In The Stream” remains the definitive rendition for many, the collaboration between Barry Manilow and Reba McEntire serves as a valuable reminder of the song’s enduring power and its ability to transcend genre boundaries. It highlights the lasting legacy of Barry Gibb’s songwriting and showcases the impressive vocal talents of both Manilow and McEntire, offering a respectful and well-sung tribute to a true classic of the 1980s for a new generation of music enthusiasts in 2008.