
đ” The Monkees â âGoinâ Downâ
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Released: 1967 (B-side to âDaydream Believerâ)
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Lead vocals: Micky Dolenz
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Writers: Micky Dolenz, Peter Tork, Davy Jones, Michael Nesmith, and Diane Hildebrand
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Style: Jazz-rock / stream-of-consciousness / proto-rap
âĄïž A Sonic Rush
âGoinâ Downâ is arguably one of the most unique and ambitious recordings The Monkees ever produced. From the first note, it grabs you and doesnât let go: a frantic jazz groove, swinging horns, and Micky Dolenz racing through a waterfall of lyrics like a man possessed.
“Floating down the river with a saturated liver…”
This isnât bubblegum popâitâs raw, experimental, and wildly fun. Clocking in at over three minutes of breakneck vocal delivery, itâs a true performance piece.
đ§ Lyrical Style: Ahead of Its Time
The lyrics unfold like a stream-of-consciousness monologue. The story? A man who jumps into a river over a failed relationshipâand then second-guesses the whole thing mid-fall. The writing is sharp, ironic, and often surreal, walking a tightrope between comic absurdity and emotional unraveling.
Itâs been compared to Bob Dylanâs talk-blues style and even to early hip-hop rhythms in how it builds momentum through sheer lyrical force.
đ€ Micky Dolenzâs Vocal Performance
Simply put: Micky is on fire. He races through verses with jazz phrasing, precision, and soul. Many fans (and critics) point to âGoinâ Downâ as one of his finest vocal performances. Itâs breathless, chaotic, controlledâall at once.
And notably: the entire lead vocal was reportedly recorded in a single take. Thatâs how sharp Mickyâs musicianship really was.
đ· Musical Backing & Jazz Roots
The backing band includes some of L.A.âs finest session players, delivering a full-on jazz ensemble vibe: horns, upright bass, rhythm section. The groove is rooted in âJumpin’ Jack,â a song by Bessie Banks, but The Monkees completely reinvented it.
Unlike most of their earlier hits, this one leaned fully into an adult, off-center jazz-rock styleâa sign that The Monkees were much more than just a TV band.
đ Release & Legacy
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Initially released as the B-side to âDaydream Believerâ in 1967.
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Though never a major chart hit on its own, âGoinâ Downâ became a fan-favorite, frequently performed live at Monkees concerts.
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It remains a deep cut that showcases the bandâs creative edge, musical daring, and Mickyâs masterful vocals.
đ¶ïž In Retrospect
âGoinâ Downâ is the kind of song that shatters the misconceptions about The Monkees. Itâs clever, musically ambitious, and vocally demanding. It reminds fansâand skepticsâthat this band was more than a pop phenomenon. They were artists, willing to take chances.
And Micky? He didnât just keep up with the jazz grooveâhe ran laps around it.